(P)un(K)///”’ChAOS”2CouTURe
A worth while visit plus a whole host of interesting talks/events. http://www.metmuseum.org/about-the-museum/press-room/exhibitions/2012/punk-chaos-to-couture
(P)un(K)///”’ChAOS”2CouTURe
A worth while visit plus a whole host of interesting talks/events. http://www.metmuseum.org/about-the-museum/press-room/exhibitions/2012/punk-chaos-to-couture
William’s fragment
William Kentridge, His Majesty, the Nose (still), from the installation I am not me, the horse is not mine, 2008; Eight-channel video projection, 6 min.; Collection of the artist; © 2008 William Kentridge; photo: John Hodgkiss, courtesy the William Kentridge Studio. More information
William’s fragment
William Kentridge, His Majesty, the Nose (still), from the installation I am not me, the horse is not mine, 2008; Eight-channel video projection, 6 min.; Collection of the artist; © 2008 William Kentridge; photo: John Hodgkiss, courtesy the William Kentridge Studio. More information
Give Me ‘Mohr’
Manfred Mohr, Pioneer of Computer Graphics, Cover taken from: Une Esthétique Programmée” ARC – Musée d’Art Moderne de la Ville de Paris, 1971. MHOR information via emohr.com
Give Me ‘Mohr’
Manfred Mohr, Pioneer of Computer Graphics, Cover taken from: Une Esthétique Programmée” ARC – Musée d’Art Moderne de la Ville de Paris, 1971. MHOR information via emohr.com
No Place Like Exodus
We’ve been long term admirers of this particular project by Rem Koolhaas, Madelon Vriesendorp, Elia & Zoe Zenghelis (Exodus or the Voluntary Prisoners of Architecture, 1972)
No Place Like Exodus
We’ve been long term admirers of this particular project by Rem Koolhaas, Madelon Vriesendorp, Elia & Zoe Zenghelis (Exodus or the Voluntary Prisoners of Architecture, 1972)
